Michael Schulman

“I’m Still Here” and “The Secret Agent” have brought Brazil’s exuberant online fan culture to the Academy Awards.

Will an A.I. restoration of “The Magnificent Ambersons” right a historic wrong or desecrate a classic?

The director’s new movie, “The Testament of Ann Lee,” stars Amanda Seyfried as the Shakers’ founder. But the film’s furniture alone is worth a trip to the theatre.

In a year when the entertainment industry embraced the artificial, extraordinary human acts—from Sarah Snook’s one-woman “Dorian Gray” to Michael B. Jordan’s twin turn in “Sinners”—made their mark.

For the late Broadway composer, crafting crosswords and treasure hunts was as thrilling as writing musicals.

The director of “Hamnet” says that her art has been shaped by her early love of manga, her relationship to the natural world, and her neurodivergence.