Richard Sandomir

As Mr. Bruce’s daughter, she maintained boxes of video and audio of his groundbreaking and often scandalous work.

He directed nearly 1,000 comedic commercials, including a much-quoted spot for Wendy’s and one for FedEx featuring a manic speed talker.

He was also the chief counsel to the House Select Committee on Assassinations in the late 1970s and spent years as a Notre Dame law professor.

Her time in concentration camps brought her an understanding of humanity that helped her treat her patients.

He called over 5,600 games, more than any other announcer for the team, and was known for his personalized, slightly wacky home run calls.

For more than 30 years, she wrote and illustrated “Sylvia,” a comic strip about a tart-tongued, witty woman unafraid of expressing her many opinions.

A Hall of Fame forward, he was a scoring machine, shooting from all over the court, and an early master of the three-pointer. “There was not a shot I didn’t like,” he said.

He was the eldest original member of the Osmonds, a family singing group that hit it big in the 1970s with songs like “One Bad Apple.”

You could walk in them like gym shoes, but if you rocked back on your heels the wheels emerged, turning them into roller skates. In the early 2000s, the company sold millions.

He was one of baseball’s most efficient thieves, and part of a storied infield quartet with the Los Angeles Dodgers, playing in four World Series.

His wee-hours show “Night Talk” was a nationally syndicated stalwart, examining tough issues and spotlighting Black cultural and political stars.

Mr. Perkins worked with Bob Marley, Joni Mitchell and many others, almost joined the Rolling Stones and turned down an offer from Lynyrd Skynyrd.

His camera captured subjects as diverse as New York City during the Summer of Love in 1967, Siberia under Soviet rule and the Adirondacks in upstate New York.

With Jane Goodall and Dian Fossey, she was one of three prominent researchers of great apes who were sometimes called the “trimates.”

A favorite of actors like Maggie Smith, he produced dozens of plays, including “The Audience,” about Queen Elizabeth II, which was made into the Netflix show “The Crown.”

In a distinguished career in classical and contemporary plays, she drew acclaim on both sides of the Atlantic for her dramatic portrayal of the French singer Édith Piaf.