All writers

Shirley Halperin

www.rollingstone.com www.rollingstone.de
20
articles (90 days)

Recent articles

Ein komplizierter Fall: Perez Hilton
Der Blogger galt als „Original-Influencer“ – aber er ist vor allem eines: ein Mensch. Ich weiß nicht mehr genau, wann ich zum ersten Mal von Perez Hilton gehört habe. Nur dass sein Name Mitte der N...
www.rollingstone.de
A Complicated Case for Perez Hilton
The blogger was the "original influencer," but he's also a human being
www.rollingstone.com
Phish in the Nineties: What a Time It Was
As the band wraps a throwback run at Madison Square Garden, one longtime fan reflects on what it was like to discover their music
www.rollingstone.com
Noga Erez Turns Turmoil Into Art
The Israeli rapper and singer and her partner Ori Rousso grapple with war, social pressure, and the personal cost of staying visible in the new documentary, Noga
www.rollingstone.com
Goose Didn’t Just Inherit the Jam Band Scene — They Reinvented It
Onstage and on record, the Connecticut-based group blends precision, risk and pop-minded hooks in ways that have made them one of live music’s fastest-rising acts
www.rollingstone.com
Noah Kahans Manager Drew Simmons über den Weg zum Erfolg
Drew Simmons erklärt, wie er Noah Kahan vom Vermont-Songwriter zum Stadion-Headliner aufgebaut hat – und was „Stick Season“ damit zu tun hat. Noah Kahan als Independent-Künstler zu bezeichnen fällt...
www.rollingstone.de
Noah Kahan’s Manager on Building a Slow-Burn Success Story
From working with James Brown to signing Chappell Roan, Drew Simmons’ “old school” approach has proven to be a winning formula
www.rollingstone.com
Clive Davis‘ Pre-Grammy-Gala war die letzte große Party der Musikbranche
Mit A-List-Performances, Branchenprominenz und nächtlichem Netzwerken verkörperte die exklusive Gala eine Version des Musikbusiness, die es so nie wieder geben wird. Es gibt einen Moment zu Beginn ...
www.rollingstone.de
Clive Davis’ Pre-Grammy Gala Was the Last Great Music-Industry Party
With its mix of A-list performances, executive pageantry, and late-night mingling, the ultra-exclusive event captured a version of the biz that may be gone for good
www.rollingstone.com
Rob Thomas Remembers Clive Davis: ‘Losing Clive Is the End of an Era’
"He built this entire empire based on what he thought would turn the world on. That was his superpower," the Matchbox Twenty frontman says
www.rollingstone.com
When Bruce Springsteen Becomes History
A pilgrimage to the new Bruce Springsteen Center for American Music reveals the strange gap between the artist and his artifacts
www.rollingstone.com
Before Activism Had a Playlist, There Was the Tibetan Freedom Concert
Thirty years on, the podcast Freedom Needs a Soundtrack revisits the star-studded benefit that brought Tibet’s struggle to a mass audience
www.rollingstone.com
‘Karma’s a Bitch’: Boy George on Why Culture Club Recreated Their Biggest Hit With AI
More than 40 years after “Karma Chameleon” topped the charts, the singer says the new release is about ownership, leverage and changing how legacy artists get paid
www.rollingstone.com
Songwriters Hall of Fame 2026: Selbst Legenden hatten noch etwas zum Musikbusiness zu sagen
Taylor Swift, Alanis Morissette und Raye gehörten zu den Geehrten der Gala – die auch zur Bühne für Debatten über Credits, Tantiemen und Autorenrechte wurde. Songwriter haben es seit dem Streaming-...
www.rollingstone.de
At the 2026 Songwriters Hall of Fame, Even Legends Had Notes on the Music Business
Taylor Swift, Alanis Morissette, and Raye were among the honorees at the gala dinner, which also became a forum for concerns about credits, royalties and writers’ rights
www.rollingstone.com
With John Lennon as Muse, Palestinian Rapper Tamer Nafar Tells Stories of Past and Future
The DAM co-founder weaves family history, hip-hop, and political witness into an album shaped by loss and endurance
www.rollingstone.com
A Colorado Elementary School Staged a 75-Minute Phish Musical and It Was Pure Joy
Yes, the encore was “Tweezer Reprise”
www.rollingstone.com
How Lykke Li’s Biggest Song Landed on Drake’s ‘Iceman’: ‘It Has a Life of Its Own’
The Swedish singer reflects on her 2011 breakout “I Follow Rivers,” and why hearing it on Drake’s new album felt like destiny
www.rollingstone.com
Exklusiv: Kanye Wests unwahrscheinlicher neuer Konzertpartner: Live Nation Israel
„Es wirft schwierige Fragen auf, wo die Branche die Grenze zwischen Business, Entertainment und Verantwortung zieht“, sagt ein israelischer Brancheninsider. Nichts illustriert den Wahnsinn des Jahr...
www.rollingstone.de
Kanye West’s Unlikely New Concert Partner: Live Nation Israel
“It raises difficult questions about where the industry draws the line between business, entertainment, and accountability,” says one Israeli industry insider
www.rollingstone.com